Showing posts with label Fashion Interviews. Show all posts
Showing posts with label Fashion Interviews. Show all posts

"I CAN’T CHANGE THE WORLD, BUT MAYBE I CAN CHANGE THE IDEA OF BEAUTY"


 

Yohji Yamamoto speaks the way he designs, with precision, with pauses, with an undertone of defiance. At eighty, his words carry the calm gravity of someone who has walked through anger, chance, and creation, and returned with nothing to prove. 
For System, Tim Blanks sits across from the legendary designer in a filmed conversation that unfolds like an intimate meditation. Yamamoto reflects on the fury that shaped his youth, on the fate that led him from law to fabric, and on the enduring tension between Tokyo and Paris, two cities that taught him how to listen to silence. 

FASHION NEUROSIS


 


In case you may not have heard about this podcast by Bella Freud yet, or you did but weren´t able to didn´t want to listen to it yet, I warmly recommend it to you. What is it about? Bella invites her guests,  from fashion icons, footballers, rock stars, and writers, you name it,  to lie on the couch and discuss the relationship between fashion, love, identity, culture, anxiety, and politics. They reveal their insights, faux pas, turn-ons, and turn-offs about why we wear what we wear.


MASTERCLASS IN CREATIVITY AT MAISON MARGIELA




Following a tête-à-tête interview with John Galliano, Creative Director of Maison Margiela, and Anders Christian Madsen, journalist and collaborator of Margiela, here is the second part, where System magazine invited fashion design students from leading European schools (L'Institut Français de la Mode in Paris, La Cambre Modes in Brussels, Royal Academy of Fine Arts in Antwerp and of course Galliano’s alma mater Central Saint Martins in London) to HQ of Maison Margiela in Paris for a masterclass with Galliano. 

"I HAD THE BLESSING OF MARTIN MARGIELA"




"...and psychologically I felt I was doing the right thing for the house."

This year marks the tenth anniversary of John Galliano leading Maison Margiela. His return to signature theatricality at an Artisanal show in Paris in January set the stage for a successful year, followed by a documentary release and high-profile collaborations. 

RICK ANSWERS




i-D approached renowned fashion designer Rick Owens to respond to a variety of unusual and fascinating questions submitted by his friends, family, and colleagues, like Sissy Misfit, Kris Van Assche, Matt Lambert, Tommy Cash, Stephen Jones, Gwendoline Christie, Bruce LaBruce, and others.

I FEEL MORE FREE AND OPEN





This was originally filmed like a month ago featuring John Galliano who joined BoF editor-at-large Tim Blanks on the VOICES stage, so if there was "I missed it" thing, this is a perfect time to watch it or maybe even re-see it. We liberally can say that this was one of more inspiring things from 2016, regardless if you are a fan or not of his work at MaisonMargiela. Talking about this fashion institution, Galliano not only discussed during this interview his role as a creative director and how/why he feels much more free and open in this his new role, but also he admitted that he is yet to even hit his trade.  

BOF VOICES - COACH CEO VICTOR LUIS





How the political crises, mass shooting and terrorist attacks that are expanding all over the world, especially in Europe lately, didn´t not impact on profit and earnings of the brand Coach, especially compared with other brands, actually it has marked a growth for the first time in years, with double-digit growth in Europe and mainland China. Is the reason of success the management skills of the brand´s CEO Victor Luis or is something else? BoF´s Imran Amed talked with him about that and more.

INSIDE YOHJI YAMAMOTO´S FASHION PHILOSOPHY





It´s rare thing this one, a kind of exception, but definitely a par excellence that don´t happen twice. Yohji Yamamoto is known for being reserved and that rarely agree on doing interviews, especially filmed ones. He discussed with Imran Amed highs and lows, and wisdom, from a career spanning more than 40 years.

BOF VOICES - CLOSE ENCOUNTERS IN SYDNEY





It´s Saturday, so a weekend, so a possible reason/way to take some time for yourself, maybe while sipping your later-morning coffee or instead to leaf through your favourite magazine, take some (quite long) moment (looong coffee or tea, but you deserve it) and listen to Australians who became successful in the fashion business...their opinions, thoughts and what we like the most, suggestions around the main topic that is: "How can brands from distant markets break into the global marketplace?".

I DON´T LIKE TO SEE MYSELF AS A FASHION DESIGNER, BECAUSE I DON´T FOLLOW FASHION





I actually don´t know well Aleksandra, but after few rare occasions talking to her one on one and by talking I mean just some lines, I got that impact and feeling like knowing her for ages. And believe me, this interview only confirms me this. “How is this possible”, are you probably asking now? Passing years and getting older, you´ve become “filled” with experiences that life brings and all of them help you, especially when it comes to perception of new people you meet through your life journey. What sort of it I got about her? As an honest, straightforward, open, creative, spontaneous and buddy-type of a person with that sparkle “joire de vivre” in the eyes that only children have. But there´s much, much more, that I discovered throughout this interview. The one that was like writing a book, she said at the end. And sure it was. Intense and funny, due the fact she had a smile on her face even when the talk turned into more “serious” theme. Her “in the first second impact” boyish-like look is a second later "thrown" in the shadow by her very maternal and sensitive side, regardless the fact that she is a mother of three kids.  The time right after the birth of each of them, made her to change work-directions and to experience new shades of design and creativity. After all she is not a “long-distance” (future) plans believer, but she prefers to excel oneself in the current, present ones and then to get that surprise-part of the future.  This is also her brand aleksandrabrlan; unpredictable, spontaneous, comfortable and honest.

HEDI SPEAKS




And when he does, it becomes a true event. Who follows Hedi Slimane, knows that the designer was always and still is really reserved and hardly ever speaks a word to the press. This time the lucky ones were from the Yahoo Style, whom the photographer and Saint Laurent creative director among other opened about his memories of Yves and his personal faith in a veryexclusive interview

ELLEN




If there´s anything you´ve probably wanted to know about Ellen Von Unwerth in relation to photography and fashion*, you can find out in this interview made by Lou Stoppard in the video below.

THE VOGUE FESTIVAL 2015




The Vogue Festival returned this year and took place over the weekend of 25th and 26th April. The fourth consecutive year British Vogue has hosted the event, second time in partnership with Harrods. The doors are now already locked, but those fictional are still open; so if you didn´t have a chance to participate, nothing is lost 100%. Well the live experience of it is something unique, different, but videos that we selected from the event will at least a little replace what you´ve missed.

British Vogue editor Alexandra Shulman talked with John Galliano and Christian Louboutin. The eccentric British designer and lately Masion Margiela´s creative director discussed about his comeback, haute couture and his work at MM, while the famous French shoe maker unveiled us his adventurous childhood, his first introduction into design and much more. The last, but never the least video that we picked is with Jean-Paul Gaultier, celebrated by the model and his long-time friend Erin O´Connor.

Take time, seat comfortably and simply enjoy.

ISABEL, ALEX, OLIVIER, JANE AND THE LIMO





Imagine three designers and one stylist in the same car with quite-the same list of questions to answer spontaneously as possible, starting with their current state of mind...where´s a challenge? Well, I forgot to tell that they don´t sit together at the same time, but they are interviewed by the same person, Claire Thomson-Jonville. So same car, same interviewer, same questions (more so), but four different personalities.
Let´s find out...

CHRISTOPHE LEMAIRE AND SARAH-LINH TRAN INTERVIEW FOR BON MAGAZINE


Less than two days (on wednesday 24th of September at 10 am) when my favourite designer, Christophe Lemaire, will present his S/S 2015 womens-wear collection. Here in collaboration with Bon magazine I am sharing you an amazing interview they did with the designer and his partner Sarah-Lin Tran. They´ve talked about many thinks, including future plans for the brand. After reading it I respect him even more. A great reading.

Open every image in a new tab to get a bigger size.

ANNA PERSONAL?



Somehow. Maybe. You ever heard about her biggest phobia? What is the first thing she noticed when she meet the person for the first time? What she miss about England or a difference between Brits and Americans? Does she have any guilty pleasure? Her biggest regret? Or the least rumour about here?

Did you start guessing? Don´t. Just watch the video and discover the answers...of 73 questions to Anna Wintour.

I’m mostly known for being too straight forward


It was written the year 2009, when a 16 years old German-Bosnian love-child graduated at ESMOD and got an offer to do an internship in France, Theater in Montlucon, then continuing in the atelier with that time emerging designer Damir Doma, to end the experience with Anne Valerie Hash. This young woman, obsessed by Constantin Brancusi and Faye Toogood works, Kusturica´s folk, Jarumsh vision, Flako, Sohn and Omar Suleyman sound and the message from “Natalie ou l'adieu au silence”, preffers as many artists to create durning the nigt, because she likes to point out that the day gives her too many distractions. Superficial and judgemental people made her aesthethic view even stronger, composed by a spontaneous and honest design, as how she is. So, it´s not strange then when she frankly says, that she finds Nordic women more interesting than French, that the “I just woke up like this” is just a myth, that collaborating with artisans is not that glamorous as it sounds and no one this days make original aesthetic but a reproduction of the past. Unconsciously. Some less, some more. Now at just twenty something, Lissa, as friends call her finds that “less is true more”; but only in design terms. Her energy-creative lever couldn´t be higher in the last period. She is close to expand her brand Atelier Alisa Beširević by launching the ready-to-wear collection, jewellery, furniture, pottery and even household linen. This is a proof that talent mixed with hard work makes everything possible. The sky is the limit.


HELLO THERE! PHOEBE SPEAKING!


Céline´s mastermind creative director, Phoebe Philo, is known as being a not big fan of public talking*, but she makes times by times some very rare exceptions. The last one was during the Vogue Festival. Why she left Chloé? Why she won't let Céline be sold online? Why Céline is so expensive? How she feels about high-street copycats? How she combine private and work life? There is many many more...interested? Click click...ooops, pardon me! Watch ;)


* by that I mean interviews ;)

/ Photo and video courtesy of Vogue UK /

CLAUDIA LIGARI:" IF YOU WANT SOMETHING DONE PROPERLY, DO IT BY YOURSELF! "



Today I am really happy and pleased to present you Claudia Ligari, a fashion designer whose work I simply adore and I am following from 2011, when she established her eponymous brand, characterized by an unconventional triumph of femininity and inspired by a strong woman, non-conformism and androgynous vibe.

"The soul of a garment can only be expressed from the person that is wearing it. The right person makes the garments alive; the wrong person makes them simply garments."  these are the words that describe perfectly her design manifesto.

In the last few months she presented her seventh collection, the S/S 2014 that I am showing you here, she left London, moved her production and now talking to me, sincerely, directly and open as she is. Let´s start from the beginning…

Who is Claudia Ligari?
Italian born fashion designer, adopted by London since 2004. Graduated from Istittuto Marangoni in Milan in 2004, after quite few painful years of random jobs in retail and a pretty good career as a senior designer for most of the well-known British high street brands I’ve finally launched my very first collection in SS11. I have a strong personality, stubborn but not so difficult to deal with, always hungry for newness and bored of things too quickly. I love my job but not so much the fashion world in general and when I create my mind is a mess!

What is your current state of mind?
Up and down, excited but scared at the same time. I just moved back to Italy after 9 years in London and it’s a pretty big challenge!

What is your motto?
If you want something done properly do it by yourself!

What is your obsession?
Not sure, I guess I’m obsessed by the fact of asking constantly to myself if I am happy or not

Your last dream (during sleeping :) )?
Really weird! I was like an actor in my own movie/dream. I was presenting my latest collection in London but everything was going wrong and we didn’t have drinks or music…and then, when we finally managed to sort everything out and started dancing all of the sudden the war exploded around us!! Some random people where shooting us and I kept running around from one room to the other but what was also weird was the fact the in one room everyone seemed to be pretty happy and relaxed and kept having fun when in the other room everyone was about to die or shooting someone else!! Horrible!…I guess  it reflects the state of my mind at the moment…a bit shook up.

What is your best quality and what is your biggest weakness?
I  am very tenacious but too impulsive

Which talent would you most like to have?
I’d love to be an amazing seamstress but I just don’t have the patience…

What would you change about yourself?
As I mentioned above I’d love to be less impulsive and more rational sometimes.

What the word freedom means to you?
Everything. If I don’t feel free I can’t live happily. I’m a very independent person and I hate when situations or people come my way and hold me back from what I have to do.

Best and worst memory?
Best memories are about the first few years that I lived in London, is when I finally found myself and friends who truly understood me. Worst memory is when my sister had an accident and she was badly injured…in those moments you stop leaving and just hanging in a parallel world, horrible.

In what occasion do you lie?
When I know it’s best for everyone not to know the truth, we call it “white lies” right?

Which smell remembers you your childhood?
My parents’ house by the sea, every time I go there all the smells take me back in time.

As a child what you thought you will become when growing up?
A Fashion Designer, never changed my mind

What turns you into become a fashion designer?
Not sure, just always wanted to do it even thought I was born in a small village and nobody knew anything or was even remotely interested about fashion

What inspires you and what distracts you (turn you off) creatively?
Just been few days in Barcelona and that was very inspiring, just seeing different things makes my mind fantasizing. Rules or absence of freedom in life are killing my creativity.

How much does intuition play a part in the way that you work?
I would say 50/50. It helps to design something that people will want to wear and buy but I believe it’s better to do what you love always, regardless of what is going on out there.

What do you think of the fashion system?
Bla bla bla….fashion should look more at substance and not on surface. There are so many amazing designers out there that never get noticed and so many more who are overrated or get their way in just because they have money but no talent.

Top 3 designers?
Martin Margiela (for changing to way of creating fashion)
Riccardo Tisci 
Alber Elbaz 

What about new way of communication, like blogging?
I don’t mind it, but unfortunately it’s more about surface…

 Do you follow any blog?
Not really, I look at few people from time to time but don’t follow constantly

Top 3 magazines?
Don’t know, I don’t buy many magazines, sometimes I don’t buy them for ages! I don’t like to be too aware of what is going on around me, especially when I create. I like to stay true to myself as much as possible.  But I always loved Numéro for the graphics

Best movie, track, album, exhibition or event?
Best movie: Down by Law 
Track: “Put the Freaks Up Front” from Deus
Exhibition: Hussein Chalayan retrospective in Paris few years ago

What is your personal style and who do you mostly wear?
I tend to always wear the same things and actually my wardrobe it’s pretty small. I like to get rid of things from time to time as it makes me feel better and gives me a good vibe, new start!  I always wear black because it makes me feel comfortable with myself . Lately I have been wearing loads of my stuff mixed with Acne’s. I love what they do (not everything!!) I think they are the “new fashion”, tasteful, clean, comfortable and still quite affordable.

Your Top 5 essentials?
Chunky shoes
black long vest
comfortable trousers
a leather bag



Let´s talk ybout your professional part and how everything started. You told once, that when you moved to Milan, to study fashion, you actually didn´t know a lot about fashion.  How then you knew that this is the right study to go, that this is something you would like to work (let´s just say) for the rest of your life? What made you that decision?
As I mentioned before I didn’t know if it was the right decision, I just felt that was a passion I really wanted to discover. Sometimes I still don’t know if I took the right decision but when I see all the support coming from all of you, than is when I know it was totally worth it.

 Your very first work in fashion was an internship for Missoni, then you worked as an assistant for Giorgio Armani (when he still was at Erreuno, a brand that he established before becoming what he is today) and then when you decided to move to London, you were accepted as an intern for Alexander McQueen. Three big names, but three totally different aesthetics. Could you describe these experiences and how these experiences influenced on your future work and aesthetic?
You are right, three completely different aesthetics. With Missoni it was a truly beautiful experience: first of all the studio was based in a forest in the outskirts of Varese, near Milan. The most wonderful thing about Missoni was the fact the everything was made there. Their famous colorful fabrics where entirely knitted at the studio, faraway from indiscrete eyes so you felt privileged to be able to see and learn that. Also all the production was done there.. it’s a proper family business and it makes you feel part of something very special. The design studio could only have one intern and this is why everything was amazing, you could learn and help and see things from very close by and be involved in every different aspect. It was a 24/7 job, very tiring but worth the pain.
With Erreuno was a completely different story. By that time I’ve graduated and my taste was already taking a quite “minimalistic” direction but unfortunately the company was producing for a target woman that wasn’t really my cup of tea!! But nothing negative as it was still really good to have the opportunity to work alongside the creative director Sonia Speciale and assist her on every aspect of the creation of a collection, from sketching to final product. The fact that was Armani who found it made the whole story more interesting as even after so many years you could still see his signature. I respect him very much as he changed to way to perceive and wear fashion.
When I than landed and internship at McQueen I was the happiest person on heart but also a bit shook up as the way of working there was completely different from Italy.
See, in Italy design studios are more selective and can only have a small amount of interns whether in London each studio tend to have a massive amount of students so it can be quite dispersive and sometimes frustrating as you are working on a piece of jigsaw puzzle but not quite sure on how the all picture will look like or what are they trying to achieve. On the other side it was actually really nice to work with so many students from all over the world as we were also teaching things to each other and supporting each other though sleepless night! It was interesting to see the different approach to fashion and different way of working, it was mainly manual and I love to work manually, I’m not a computer person.

I am not sure if any of those influenced who I am now as a designer but certainly thought me what good fashion is made of.



You established your brand in 2011, when you presented your S/S 2011 collection. What was the turning point to make you to take a decision to establish your own brand? I guess it is really risky and you have to be brave, especially what is happening in last years. Describe, please, the process of making a brand. How to start, especially if you maybe don´t have a strong financial background?
Actually, it all started with my mum suggesting me I should enter this competition in Spain…to enter, you needed to present at least 2 collections and at that time I only had my graduate collection. It was 2 weeks to the deadline and so in one night I’ve designed a small capsule collection of 10 outfits and produced it all in 2 weeks including all the material requested such as sketch books, spec sheets, look book and so and so. It was absolutely insane!!!!! I was working for someone else during the day and working on my stuff at night. I think I’ve never been so tired in my entire life!!

At the end, I didn’t even pass the first selection but I’ve got noticed from Blow PR, one the most famous and well known PR agencies in London who offered to present me to the market and took good care of me for the first few seasons….and so here I am. It’s been a great journey so far but I am glad you mentioned the financial side of it. I used to have a full time job designing for another company and I was the only person financing the label and I still am…. It’s been super hard as doing collections it’s like feeding a baby constantly and so I was broke all the time and my life changed completely. But I was happier and I still am, it’s still hard, especially now that I left my job to look after my label full time but things are working out and I am positive it can only get better. You have good and bad times but you can’t let go on something you have been spitting blood for so long and especially on something that despite all the negative side it’s all yours. Sometimes I can’t believe how fortunate I am to be doing something I love every day…

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VIBE JOHANSSON :"I LOVE THE MATH BEHIND THE DESIGNS !"



The Danish-born designer Vibe Johansson studied fashion design at the Polimoda Fashion Institute in Florence (Italy), followed by Design Technology in Copenhagen (Denmark). She established her eponymous label in 2008, when her first official women´s collection was successfully presented, the F/W 2008/2009. The label became available in the selected stores across the world (especially Japan). In 2012 she was nominated for the Max Factor New Talent Award.

I got a chance to talk with Vibe about her passion when she was a child, about her obsession with the literature (especially the English one), the talent that she missed to have and much more. Of course there is a big part about her brand, her aesthetic and her last work, the S/S 2014, in the second part. This was an intriguing, directly and spontaneous interview, as Vibe is.