NOCTURNO

 

    ©tedorè



There exists a threshold where time bends upon itself, where the architecture of reality grows thin and permeable. It is here, in the blazing heart of afternoon, that she first materialises—unbidden, inevitable, a revenant cloaked in obsidian folds, murmuring incantations only bone-deep knowing can decipher. 
The phenomenon arrives without herald or fanfare. One moment, the world maintains its rigid adherence to the laws of light and shadow; the next, everything tilts into something altogether more perilous and beautiful. I surrender my eyelids to this sweet invasion, and reality shivers like water disturbed by an unseen hand. 
Charcoal fabric becomes mercury shadow, cascading around fevered skin like spilt wine on cathedral stone. The cloth moves with its own volition, mapping territories of longing that daylight dare not illuminate. Each fold carries the weight of unspoken words, each crease holds the echo of touches that exist only in the liminal spaces between sleeping and waking. 

In this hallowed blackout, fingertips inscribe forgotten alphabets across flesh that recalls her caress before breath was drawn, before bone knew the burden of containing such fierce and fragile yearning. The body becomes text, and she, eternal scribe, authors new mythologies upon skin that burns with remembrance of futures that may never unfold. 
The gloom pulsates with its own rhythm, its own secret heartbeat. It carries hints of dusk orchids blooming in impossible gardens, of swallowed confessions that taste of copper and starlight. Here live all the epistles left unwritten, bleeding their ink into darkness; all the thresholds deliberately untraversed, their doors standing eternally ajar to reveal glimpses of what might have been. 

THE ELEGANCE OF THE EVERYDAY FORM

 

    original images and video courtesy ©Toteme



The light in New York was soft, almost Scandinavian, as TOTEME presented its Spring/Summer 2026 collection, a study in the precision of looseness, in beauty built from calm decisions. Elin Kling and Karl Lindman refined their signature minimalism into something more fluid this season, striking a delicate balance between structure and softness. 

Optic whites and inky blacks formed the foundation, joined by sun-faded pinks and deep greens that recalled fabric left to dry by the sea. Matte and gloss, washed leather and pearlescent silk, crinkled cotton and compact knits, the contrasts were deliberate, subtle, and deeply tactile. 
The silhouettes held the body without confining it. Pyjama-inspired shirts paired with slim skirts, long hems that traced the ankle; trench coats, once stiff, now moved with the air. Raw edges appeared beside clean seams; bags were left unfastened, coats draped loosely over the arm. Every detail suggested motion and wearability rather than pose. 

YOU GOT TIME AND I GOT MONEY

 


performed by Smerz
________________

SCARF BAG

 

    ©tedorè



soft enough to forgive, 
structured enough to remember 
not carried, but kept 
the shape of ease 
where form becomes feeling



A Lemaire design that begins with a fold and ends in a habit. Crafted in shiny nappa leather, the Scarf Bag negotiates the tension between gesture and structure: supple where it must yield, defined where it must hold. 
Offered in two sizes, small and regular, the bag contains a main compartment with a zipped closure and a small inside pocket for essentials. The twisted shoulder strap allows multiple carries, on the shoulder or as a sling, and the piece is engineered to rest with the body’s rhythm rather than interrupt it. 

"I CAN’T CHANGE THE WORLD, BUT MAYBE I CAN CHANGE THE IDEA OF BEAUTY"


 

Yohji Yamamoto speaks the way he designs, with precision, with pauses, with an undertone of defiance. At eighty, his words carry the calm gravity of someone who has walked through anger, chance, and creation, and returned with nothing to prove. 
For System, Tim Blanks sits across from the legendary designer in a filmed conversation that unfolds like an intimate meditation. Yamamoto reflects on the fury that shaped his youth, on the fate that led him from law to fabric, and on the enduring tension between Tokyo and Paris, two cities that taught him how to listen to silence.