The base or the starting point from which
Mullins build his spring/summer collection was the work-wear and the idea how
replicate a replication of a replication, meaning taking something really
simple, as the mentioned work-wear reference, and re-doing it in a lots of
different ways. Mullins proposes more than usual oversize, but still very androgynous
silhouettes, like below-the-knee wrap-over skirt, roomy trousers,
trench-like-coats and long denim shirts, in mostly pastel colours playing with
different graphic elements, such as random splatters of paint or digitally
panted graphics, like rose petal prints or meme graphic, not to mention the asymmetric
top made exclusively by rose-petal appliques or those stitched on a white
t-shirt.
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